A student of mine said something today that got me thinking: could we have a music theory house of horrors for Halloween? Think of it:
Beware of the terrifying parallel perfect consonances!
Look at the blood (I mean red ink) oozing from it!
Run in fright from the doubled leading tone!
Look out for mice!
What else belongs in a music theory house of horrors?
Beware of the terrifying parallel perfect consonances!
Look at the blood (I mean red ink) oozing from it!
Run in fright from the doubled leading tone!
Look out for mice!
What else belongs in a music theory house of horrors?